Cape Town Lens: St Mary’s Collegiate Churchyard, Haddington, Scotland

A Cape Town Castle Military Museum tagged image from photographer – Billy Wilson Photography as published on Flickr.

St Mary’s Collegiate Churchyard, Haddington, Scotland

Image by Billy Wilson Photography

"The Collegiate Church of St Mary the Virgin is a Church of Scotland parish church in Haddington, East Lothian, Scotland.

Building work on the church was started in 1380, and further building and rebuilding has taken place up to the present day. It is the longest church in Scotland, at 206 feet (62.8 metres) from east to west, and is in the early Gothic style.

The cruciform church is located in a large open churchyard, at some distance from the town centre. The church is built on a scale becoming of a cathedral. It is of a uniform and consistent design, that suggests a clear adherence to the original plans. Having been desecrated during the sixteenth century, the nave of the church and the tower were repaired for use by the congregation, this part being subject to various restorations in subsequent centuries. A comprehensive renovation of the whole church was carried out in the 1970s.

The choir is aisled and is made up of four bays, intersected by buttresses with a mixture of gabled and pinnacled terminals. The windows between have simple curvilinear tracery dividing two main lights. The cornice below the eaves has foliate carving. The clerestory is unbuttressed and has double-lighted windows beneath two mouchettes. The window at the east end of the choir was built in 1877, and consists of four lights with contemporary tracery. One of the finials shows an angel playing the bagpipe. On the north side of the choir there is a medieval sacristy, which is now an ecumenical chapel and mausoleum of the Maitland family dedicated to the Three Kings.

The transepts are aisleless, with windows at the gables and to the west, the gable windows are triple lighted with mouchettes above. The north transept contains modern toilets and stairs to the north gallery. The south transept contains a memorial to George Seton and a stained glass window by Edward Burne-Jones donated by the Victoria and Albert Museum as part of the restoration. to the east of the north transept lies the Lauderdale Aisle, a small Scottish Episcopal chapel that commemorates John Maitland, 1st Lord Maitland of Thirlestane and others of the Maitland family. There is a stair turret in the east angle of the north transept which gives access to the tower. The tower is cubic in form and has triple lancet windows on each elevation. There are single figure niches on either side of the openings. The wall heads terminate in a decorative cornice with gargoyles. The corbelling at this level suggests that there were plans to erect a crown spire similar to that of St. Giles Cathedral in Edinburgh and St. Michael’s Parish Church, Linlithgow. It is not known whether or not this decorative structure was ever built.

The nave is similar to the choir, in that it has four bays on the north and south aspects, buttressed in between. The windows, however, are similar to those on the transept gables. The side aisles were raised by some 10 feet in 1811 and were finished with castellation and pinnacles. The clerestory windows are similar to those of the aisles and the wall heads finished with cornicing. The position of the pre-1811 vaults are still visible on the sides of the nave.

The western front of the building has a large window divided into six main lights in groups of three divided by a ‘Y’ shaped central mullion. These are each surmounted by double mouchettes and vesica piscis windows. The capital is formed of double "dagger" and single quatrefoil windows. Below is the main door, with round headed arch composed of several filleted shafts, the door is divided into two by a trumeau shaft topped with two semi-circular arches; the capital here bears a representation of the Arma Christi.

The interior of the church is notable for the extensive sexpartite vaulting. The pulpit and font were both designed by Glaswegian sculptor, William Birnie Rhind in 1891. In the north choir aisle there is an ancient sculpture of Haddington Burgh arms, discovered in the north transept, during the 1970s restoration. The east wall of the south transept houses a memorial to William Seton, Provost of Haddington, erected in 1682. In the late 1980s a new pipe organ was commissioned, and installed in 1990 on a gallery within the north transept. The tower of St Mary’s had been silent since 1548, when the English army removed the three bells extant. In 1999 the church acquired a set of eight bells, cast to celebrate the coronation of George V in 1911, and originally hung as a chime in Dunecht House. These were installed between March and May 1999 and were dedicated by The Very Rev Dr John B. Cairns, the Moderator of the General Assembly of the Church of Scotland, on the 6th of June.

The Royal Burgh of Haddington (Scots: Haidintoun) is a town in East Lothian, Scotland. It is the main administrative, cultural and geographical centre for East Lothian, which as a result of late-nineteenth century Scottish local government reforms took the form of the county of Haddingtonshire for the period from 1889 to 1921. It lies about 17 miles (27 km) east of Edinburgh. The name Haddington is Anglo-Saxon, dating from the sixth or seventh century AD when the area was incorporated into the kingdom of Bernicia. The town, like the rest of the Lothian region, was ceded by King Edgar of England and became part of Scotland in the tenth century. Haddington received burghal status, one of the earliest to do so, during the reign of David I (1124–1153), giving it trading rights which encouraged its growth into a market town.

Today Haddington is a small town with a population of fewer than 10,000 people; although during the High Middle Ages, it was the fourth-biggest city in Scotland after Aberdeen, Roxburgh and Edinburgh. In the middle of the town is the Town House, built in 1748 according to a plan by William Adam. When first built, it inheld a council chamber, jail and sheriff court, to which assembly rooms were added in 1788, and a new clock in 1835. Nearby is the Corn Exchange (1854) and the County Courthouse (1833). Other nearby notable sites include the Jane Welsh Carlyle House, Mitchell’s Close and the birthplace of author and government reformer Samuel Smiles on the High Street, marked by a commemorative plaque.

Haddington is located predominantly on the north-east bank of the River Tyne, and was once famous for its mills. It developed into the fourth-largest town in Scotland during the High Middle Ages, and later was at the centre of the mid-eighteenth century Scottish Agricultural Revolution.

In 1641, an Act was passed by the Parliament of Scotland to encourage the production of fine cloth, and in 1645 an amendment went through stating that the masters and workers of manufactories would be exempt from military service. As a result of this, more factories were established; these included the New Mills. This factory suffered during the Civil War with the loss of its cloth to General Monck. A new charter was drawn up in May 1681, and major capital invested in new machinery, but the New Mills had mixed fortunes, inevitably affected by the lack of protectionism for Scottish manufactured cloth. The Scots Courant reported in 1712 that New Mills was to be "rouped" (auctioned). The property was sold on 16 February 1713 and the machinery and plant on 20 March. The lands of New Mills were purchased by Colonel Francis Charteris and he changed their name to Amisfield.

As the county town of East Lothian, Haddington is the seat of East Lothian Council with offices located at John Muir House behind Court Street. This building occupies the site of Haddington’s twelfth century royal palace and adjoins the former Sheriff Court complex. The town centre is home to a wide range of independent retailers including: a bookshop, two sports shops, a saddlery and country goods specialist, two butchers, a hardware shop, cookware shop and several gift shops alongside several pubs, restaurants and cafés. Nationwide retailers with a presence in Haddington include: Tesco, M&Co, Boots, Aldi and Co-op Food. Besides retail and administration, the town is also home to various law firms and has industrial capacity in the works beside the Tyne at the Victoria Bridge (PureMalt), and around the site of the old station (Lemac), and various smaller industrial units and garages. Haddington is also home to the offices of the local newspaper the East Lothian Courier. There is a farmers’ market held on the last Saturday of the month in Court Street.

The town centre largely retains its historic street plan with Court Street, High Street, Market Street and Hardgate defining the edges of the original open triangular medieval market place, divided by a central island of buildings developed from the 16th century onwards on the site of market stalls. To the north and south the medieval rigg pattern of burgage plots can still be observed with narrow buildings fronting the main streets and long plots behind stretching back, originally to the line of the old town walls, accessed by small closes and pends. The historic importance of the town’s relatively unaltered medieval plan and significant survival of historic buildings was recognised as early as the 1950s, with Haddington subject to an Improvement Scheme, Scotland’s earliest, which saw many period properties rehabilitated by the Town Council (under the leadership of Frank Tindall as Director of Planning) and a pioneering town colour scheme developed, resulting in the distinctive and colourful townscape seen today. Some comprehensive redevelopment did occur, chiefly around Newton Port and Hardgate to allow for widening of these narrow streets to improve motor traffic flow. This included the demolition of Bothwell Castle and its dovecote in 1955, the land now forming part of Hardgate Park. Today the whole town centre is a conservation area with a high proportion of listed buildings, some dating back to the C16th, and the redevelopment and infill schemes undertaken since the 1950s have largely been in a sympathetic vernacular style which has maintained the town’s historic character." – info from Wikipedia.

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