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You are here: Home / Videos / The Good The Bad & The Ugly – Busker in Cape Town SA – Cape Town Video

The Good The Bad & The Ugly – Busker in Cape Town SA – Cape Town Video

7 August 2020 by Con Tributor

Great rendition of the iconic theme song from “The Good, the Bad and the Ugly” by musician Arthur Vuso a busker in Cape Town South Africa. The music is (Italian: Il buono, il brutto, il cattivo) from the a 1966 Italian/Spanish epic spaghetti western film directed by Sergio Leone, starring Clint Eastwood, Lee Van Cleef,…

[youtube https://www.youtube.com/watch?v=RLd0qmkpaGk&w=480&h=360]

Great rendition of the iconic theme song from “The Good, the Bad and the Ugly” by musician Arthur Vuso a busker in Cape Town South Africa. The music is (Italian: Il buono, il brutto, il cattivo) from the a 1966 Italian/Spanish epic spaghetti western film directed by Sergio Leone, starring Clint Eastwood, Lee Van Cleef, and Eli Wallach in the title roles.

The screenplay was written by Age & Scarpelli, Luciano Vincenzoni and Leone, based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli, was responsible for the film’s sweeping widescreen cinematography and Ennio Morricone composed the famous film score, including its main theme.

It is the third and final film in the Dollars Trilogy following A Fistful of Dollars (1964) and For a Few Dollars More (1965). The plot revolves around three gunslingers competing to find a fortune in buried Confederate gold amid the violent chaos of gunfights, hangings, American Civil War battles and prison camps.

The score is composed by frequent Leone collaborator Ennio Morricone, whose distinctive original compositions, containing gunfire, whistling (by John O’Neill), and yodeling permeate the film. The main theme, resembling the howling of a coyote (which blends in with an actual coyote howl in the first shot after the opening credits), is a two-note melody that is a frequent motif, and is used for the three main characters. A different instrument was used for each: flute for Blondie, ocarina for Angel Eyes and human voices for Tuco.

The score complements the film’s American Civil War setting, containing the mournful ballad, “The Story of a Soldier”, which is sung by prisoners as Tuco is being tortured by Angel Eyes. The film’s climax, a three-way Mexican standoff, begins with the melody of “The Ecstasy of Gold” and is followed by “The Trio.”

The main theme was a hit in 1968 with the soundtrack album on the charts for more than a year, reaching No. 4 on the Billboard pop album chart and No. 10 on the black album chart. The main theme was also a hit for Hugo Montenegro, whose rendition was a No. 2 Billboard pop single in 1968. In popular culture, the American New Wave group Wall of Voodoo performed a medley of Ennio Morricone’s movie themes, including the theme for this movie. The only known recording of it is a live performance on The Index Masters.

Punk rock band the Ramones played this song as the opening for their live album Loco Live as well as in concerts until their disbandment in 1996.

The British heavy metal band Motörhead played the main theme as the overture music on the 1981 “No sleep ’til Hammersmith” tour. American thrash metal band Metallica has run “The Ecstasy of Gold” as prelude music at their concerts since 1985 (except between 1996–1998), and recently recorded a version of the instrumental for a compilation tribute to Morricone.

XM Satellite Radio’s The Opie & Anthony Show also open every show with “The Ecstasy of Gold”. The American punk rock band The Vandals song “I want to be a Cowboy” begins with the main theme. A song from the band Gorillaz is named “Clint Eastwood”, and features references to the actor, with the iconic yell featured in The Good, the Bad and the Ugly’s score heard at the beginning of the video.

The film itself has been widely sampled: Punk band Big Audio Dynamite used an audio clip from the movie in its song “Medicine Show”; the audio was taken from the scene in which a judge, after reading a long list of criminal charges, sentences Tuco to be “hanged from the neck until dead.” Also, the song “You Know What You Are” from the 1988 album The Land of Rape and Honey by industrial metal group Ministry repeats the song title (a portion of Tuco’s final epithet at Blondie) as a background sample.

video: Stephen Smith
http://www.mycompass.ca
Posts by mycompasstv

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